Folk Music and Song in the WPA Ex-Slave Narratives

John Minton
University Press of Mississippi

Between 1937 and 1940 fieldworkers in the Works Progress Administration’s Federal Writers’ Project interviewed around 3,500 formerly enslaved people in North America, resulting in roughly 20,000 pages of still unedited and inadequately indexed typescript. These accounts—the WPA ex-slave narratives—are the most substantial collection by far of folklore and oral history gathered directly from enslaved people in America. It is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. This book considers this treasure trove in all its relevant social, cultural, and historical contexts.

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The White Peril: A Family Memoir

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Night Flyer: Harriet Tubman and the Faith Dreams of a Free People